Just like a jewel, the bright ceramic elements are organized in a vertical series that forms a varied and colorful chain. This chain progresses while alternating geometries until it reaches the most important element that contains the lighting element.

Lariat is available in different versions and variants, creating different lengths and types of use, all made up of small ceramic beads with polished enameling and fresh and contemporary colors.

This lamp is composed of two parts: the bowl-shaped upper part is made of ceramic and the lower part is made of painted and natural glass. Its round shape recalls the structure of stadiums and arenas. Its name refers to the Brazilian stadium par excellence: Maracanà.

An archetypal object that is born from the technology it houses: the main volume, by creating an offset of the bulb source, becomes the leitmotif of a diversified collection where the lighting element itself is central. Declined in several applications and functions, it maintains the decorative propensity of its shapes and the glossy finishes that enhance its rounded surfaces.

The hypnotic percussiveness of the Carioca rhythms is achieved with primordial instruments: the hands. To pay homage to the hands of black slaves, the first Brazilian percussionists who could batucar drums and make people dance in a mixture of music and religion, Batucada seems to want to hold the precious source of light between two hands, hiding it or revealing it when needed.

Just like a jewel, the bright ceramic elements are organized in a vertical series that forms a varied and colorful chain. This chain progresses while alternating geometries until it reaches the most important element that contains the lighting element.

Lariat is available in different versions and variants, creating different lengths and types of use, all made up of small ceramic beads with polished enameling and fresh and contemporary colors.

This lamp is composed of two parts: the bowl-shaped upper part is made of ceramic and the lower part is made of painted and natural glass. Its round shape recalls the structure of stadiums and arenas. Its name refers to the Brazilian stadium par excellence: Maracanà.

An archetypal object that is born from the technology it houses: the main volume, by creating an offset of the bulb source, becomes the leitmotif of a diversified collection where the lighting element itself is central. Declined in several applications and functions, it maintains the decorative propensity of its shapes and the glossy finishes that enhance its rounded surfaces.